You see, what I see

on

Recognition – being seen by another diaspora framed body. It is a mouse and cat game – it is painful and weird – a hidden connection, I don’t want to acknowledge.

In my practise, I always try to choose documentarists, that can play this brutal game with me. Peel me like an onion no matter how, I dress or undress. Today, Marco Frimnitz saw me, and I am grateful for that.

Concept: Yong Sun Gullach
Photos: Marco Grimintz